Monday, April 27, 2020

Q.L. Tutorial to Make an A.B. Mask Designed by a Nurse (Part Three)






Before we finish the directions on making these wonderful A.B masks designed by a nurse, I wanted to show you two of the masks that have reached family members in the West.











 Using one of the two bias strips on which you have press one side under, find the middle, and pin the side you did not press under on top of the  dart on the WRONG side of the mask. Continue pinning the tie to the rest of the mask.
















Using a quarter-inch seam, sew the tie to the mask.
















Now, press under the opposite sides of the tie and the very ends which should be the same length on both sides of the mask.

Just as you did on the sides of the mask, pin the side you just pressed over onto the RIGHT side of the mask.














Continue pinning the two sides of the tie together until you reach the end of the tie.
















Fold the end in one quarter inch.
















 Fold the two sides in. (Yes, I know.  Just do the best you can.  You may have to shove anything that sticks out back into the fold with a pin.)
















Pin the end of the tie.
















 Now pin the other side of the tie the same way.

 Once you are all pinned, stitch from the end of one tie, across the mask, and onto the other tie.  Repeat this process for the tie and binding along the bottom of the mask.  All done!
Good luck and please feel free to email if you have questions about the process.

Important note:  It should not have to be said, but  a nurse put these directions online as a way to allow people to protect themselves and their families.  Please, don't make these masks to sell.  I was very disheartened to see masks made using the pattern put up by the Deaconess Hospital in Boston for sale online by enterprising crafters. Please don't dishonor these fine people who have shared their knowledge with us by turning around and trying to make a buck.


Q.L. Tutorial to make an A.B. Mask designed by a nurse (Part Two)


I've been working to make lots of these A.B masks designed by a nurse for family and close friends.  This set was for my neighbors who are huge fans of Star Wars and Harry Potter.

In the second part of the tutorial, I will show the use of continuous bias binding for the edges and the ties.  I've shared this magical source before called the Quilters Strip Ticket. (I'm not putting a link in because I don't want to favor one source over another.  It seems that just about every website that sells sewing notions carries them.) If you are a quilter and don't own one, it will be the best less-than-five-dollars you've ever spent.  One side provides detailed drawings of the construction and the other side is filled with charts telling you what size square you need to cut the width of tape you want.  In the case of the masks, a 13 1/2-inch square provides the exact amount of  one and a half inch tape you will need for one mask.




 Whether you use the Quilters Strip Ticket or the method
in the nurse's directions, the ends of the continuous bias will
end in a 45 degree angle.  I use these ends to bind the sides of
the mask. Pin in the bias to the WRONG side of the mask.  Once you've done this, you can trim off the excess.  Using a quarter-inch seam, sew it in place.

 Press the binding up and then press under one quarter inch.





Fold the binding down over the pleats on the RIGHT side of the mask and sew close to the edge.  Trim binding even with
 the edges of the mask. Repeat for the other side of the mask.
This gives a nice finished look to the front of the mask and, yes, I know it's two steps, but this way you don't have to
 worry about trying to catch both sides of the binding if you
try to sew it in two steps.











 Cut the remaining bias strip in half and press one side under one quarter inch.

Finally, fold each of the strips in half and press to mark the
center. When you attach the strips, you want to center them
in the middle of the mask so your ties are even.

In Part Three, the top and bottom of the mask will get bound
and the ties created.


















Thursday, April 23, 2020

Q.L. Tutorial to make an A.B. mask designed by a nurse (Part One)






 Like many quilters in this time of need, I've given over much of my studio time to making masks.  Elastic has become like toilet tissue to find, so while waiting for a spool I ordered to arrive, I decided to try my hand at some of masks with strings.  A friend in New Jersey pointed me towards this pattern, A.B. mask for a nurse by a nurse.  It makes a really good, well-fitting mask.  I've made some changes to the construction, especially in the area of the binding/ties and since I've been asked about it by other sewists, I decided a tutorial was in order.


 Step one is to go to the site above and print out the pattern.
(Q.L. amendments: Using polycarbonate, I cut out two little templates that make it easier to mark the two darts on the folds of the front and back of the mask.  I also made a template to mark the side pleats.) Fabric should be 100% cotton.  I have been using different fabrics for the masks and the ties and have dipped into my basket of conversation prints.  You are cutting the mask pattern on the fold, so if your fabric is directional, keep that in mind.  The top of the mask is the side with the long dart and it goes over the nose. The opposite side with the short dart goes over the chin.







With the front and the back of the mask still folded in
 half, mark the long and short darts. Sew along the marked
lines.  Since you will be clipping the darts, stitch back and
forth at the end of each dart to strengthen them.  Clip each
of the darts nearly to the point
















Press each of the darts open and then, with WRONG
sides together, pin the front to the back.                




















Sew around all the raw edges with a seam allowance less
than a quarter inch so that you can cover this stitching
when you attach the binding.
















Next, mark the pleats.  (I'm showing this with
another fabric because the little template
shows up better on the dark fabric.)  Using the
longer dart as the top, make sure all the pleats
point toward the short dart.


Sew down the pleats on both sides stitching right on top of your previous stitching.

This is the end of the first part of the tutorial.  Next, we will make the bias binding using the Quilters' Strip ticket to cover the edges and create the ties.












Tuesday, June 26, 2018

My Shame at the Bottom of the UFO Basket



Like most quilters, I have a basket of UFOs or Unfinished Objects, that, for one reason or another, were abandoned before they were completed and just got put away for another day.  I've been making a concerted effort for the last several months to finish the projects in that basket.  I'm now working on the last one.  "The Brownies Quilt" was one of those UFOs and I'm really proud that I finally finished it.  You can see the various posts logging my progress on it. This photo was taken while I was quilting it.

The top of this quilt was pieced, so I sandwiched it, and quilted and bound it fairly quickly.  I call it "Miyoko's Lanterns." When a quilting friend of mine returned to Japan, she sent me several gifts including a Japanese lantern and I sent her back this pattern and a finished block so that she could start a quilt.  I used a sashiko quilting pattern called seven treasures of Buddha.  I've used it before, on one of our son Dan's t-shirt quilts, for instance.


There were two baby quilt tops, one made from some nursery rhyme embroideries that my mother did and some blocks I made to go around them, and one that was a class exercise in log cabin blocks.  These were also quilted and bound.  

But, my shame, at the bottom of the basket, was our daughter Anna's crib quilt. Based on an old Vogue pattern, I'd made one for Dan shortly after he was born, but when Anna came along before Dan was two, I didn't have lots of time for sewing.  I did get the clothes made with the name, birth date and weight embroidered on


and got the rest cut out. By the time I could get back to it, Anna was climbing out of the crib and we moved her to a junior bed.  The pieces went into a canvas bag and finally to the bottom of the UFO basket.  Out it came, finally, and I decided to buy new fabric for the background, borders, and backing.  I finished the little sunshine pillow sham.
Next I appliquéd the little bird on the top clothesline,
added the little cloud,
made the little kimono,

added the borders and started quilting.


The backing fabric is a conversational print of Goldilocks and the Three Bears.


When I finally finish the last of the UFOs, I will update this post.  What a good feeling to complete this work!

Friday, April 27, 2018

Thursday, April 26, 2018

Single color baby quilts


 I've spent lots of time this year and some of last year, making single color baby quilts in this pattern. It uses two-and-a-half inch squares and can be laid out really quickly.  In addition to various babies, I've also made eight quilts for the refugee center in High Point.  This is the most recent one.




 The fabric surrounding the patchwork is usually a pale version of the chosen color.  This particular fabric depicts fairy tales in silhouette.



Quilting is simple--just forty-five degree angles cutting through the squares and the extended to the background and borders.


I use a chalk roller to mark the lines and then machine wash and dry the quilt when it's finished.  I like to make baby quilts that can actually be used.



Here's a little peak at the backing fabric.


And this is the lovely little miss who received the quilt.  She's the first grandchild of some dear friends of ours here.

As I mentioned in a previous post, I am making a determined effort to finish those UFOs in my basket beginning with the Japanese lantern quilt.  Yesterday, I managed to finish another one that is composed of embroidered animals my mother made set with pinwheel blocks that I made.
There were enough blocks to make two little quilts and now the second one is done. The bias binding for both of them was made from strips of scrap fabrics that are in the quilts. And now it's back to the Brownies quilt!

Saturday, April 21, 2018

Update on the Brownies Quilt

 Naturally, when I got this quilt out again (see previous post),  it was easy to be overwhelmed by the amount of work that still had to be done.  I decided to attack it systematically. First, I traced all the Brownie figures that I needed and then began to get them embroidered.  I finished the figure for the label because it was the largest and when it was finished, I made the back of the quilt.


Next, I worked on the grape clusters on the right side.  Whilst doing that, it occurred to me that the grapes are probably the easiest kind of handwork, so I should save them until last.  I placed all the leaves and stems and then the Brownies.



The Brownie figures were appliquéd down and then I began on the stems and vines.  Once those are finished, I will do the rest of the leaves and then just grapes will remain.  The large hand appliqués are just not satisfying me, so I think I will do something else with those four corner triangles.  (This will be the third time I've changed that area!!) Stay tuned for the progress and the changes.

Update to the update!
After auditioning several ideas, I landed on this one and after LOTS of reverse sewing, there are no longer any hands.

SaveSaveSaveSave

Friday, April 13, 2018

The Brownies quilt...It's back!

I am a great one for starting a new project with lots of energy and usually am able to follow it through to the conclusion; however, I have my bin marked "UFOs" like many creative people.  Recently, I decided to look at that bin critically and either finish or abandon the projects in it.  If you are a reader of this blog since it began, you may remember The Brownies quilt which started as a challenge piece way back in 2009.  Due to the amount of handwork involved, I didn't make the deadline and when something else came up, I put it away.  Well, it's back.
The center of the quilt was finished, but the border which includes a grapevine on three sides still has a long way to go.  Here's a close-up of the grape clusters.

Each one of the grapes is a sort of tiny yoyo that's turned under and then appliquéd down. 

The grapevine itself is bias that's also appliquéd down.
 
The quilt was inspired by the Brownie stories by Palmer Cox.  One of my favorite story books from childhood contained "The Brownies' Circus" and was my introduction to these delightful little folks.  Many people have pointed out the similarity to J.K. Rowling's house elves in the Harry Potter books.


In addition to the large brownie in the center of the quilt, I wanted to include a few more around the grapevine.  These three will be added at various locations.

I also found a book plate of Cox's that I've enlarged to be the basis for the label on the back.  Once it's enlarged to the size I want, I put the print on the bed of the lightbox and then put fabric over it and trace the image for embroidery. 

I've appliquéd a new leaf down and am adding tendrils to the vine with perle cotton.  Lots of work to come on this piece, but now I feel like I have a good idea of where it's going.  As Rachel says, "Watch this space."